Jacket: RICK OWENS @rickowensonline Skirt: DAVID'S ROAD @davidsroadus_shop from FLYING SOLO @flyingsolo_pr Collar: HARNESS LOVER @harness_lover Shoes: MANOLO BLAHNIK @manoloblahnik

黑色弗拉门戈:摄影师 Heidi Niemala 访谈

Flamenco Noir: Interview with Photographer Heidi Niemala

Heidi Niemala, a renowned photographer celebrated for her unique fusion of minimalism and bold compositions. Continues to captivate the art and fashion world with her visionary approach. In her latest series for IRK Magazine, Heidi Niemala draws inspiration from the rich traditions of Flamenco dance. Reimagining its iconic shapes, silhouettes, and movements through a contemporary and avant-garde lens. Known for balancing simplicity and impact, Niemala’s photography evokes powerful emotions and delivers visually arresting storytelling.

在这次独家采访中,Heidi Niemala 深入探讨了她的创作过程。揭示她最新作品背后的灵感。为与知名品牌合作提供有价值的见解,同时保持她独特的艺术声音。她还分享了她对技术和人工智能在不断发展的摄影领域中的影响的看法。潜入 Heidi Niemala 的摄影世界,发现是什么驱使这位才华横溢的艺术家突破创意界限。对行业产生持久的影响。

Heidi Niemala

IRK:Creative Beginnings:是什么激发了您为 IRK 创作这个系列的灵感?

Niemala: I’ve just visited Spain a couple of times, and though I didn’t see any Flamenco while I was there. I wound up thinking about the dress of Flamenco dancers. I wanted to do a story that embodied the shapes and silhouettes and motion of Flamenco. With a more severe and contemporary look, as if I were shooting a Flamenco performance scored by Bauhaus.

IRK: Signature Aesthetic: Your work often blends minimalism with bold compositions. How does Heidi Niemala approach balancing simplicity and impact in your imagery?

Niemala: In my view, simplicity is necessary for maximum impact. I’ve done maximalist work before, where the intention is to overwhelm. The boldest of compositions require stripping away everything that is unnecessary (and nothing more than that). For instance, balancing simplicity and impact is like balancing light and heat—one generates the other.

Heidi Niemala
风衣 – 来自FLYING SOLO的官方@flyingsolo_pr的MR CRAZY & LADY SEXY @mrcrazyandladysexy.official。文胸 – LUNATIC FEMME @lunatic_femme 来自 FLYING SOLO @flyingsolo_pr。短裤 – RAVEN CRAVE @raven.crave by KSENIA SHARONOVA @ksenia_sharonova鞋: BRIAN ATWOOD @brian_atwood

IRK:与品牌和艺术家的合作:您曾与知名品牌和创意专业人士合作。您如何确保您的艺术声音保持独特,同时满足客户的期望?

Niemala: I’ve been fortunate in that clients have hired me knowing what I do. Who have expected me to create for them in the way I create for myself. It’s rare that a client has tried to steer me out of my own creative lane. In those cases, however, it turns out having an enthusiastically collaborative spirit with the Creative Director helps. As they too want to deliver the best work possible for the brand.

Heidi Niemala
半身裙: DAVID’S ROAD @davidsroadus_shop FLYING SOLO @flyingsolo_pr 鞋款: MANOLO BLAHNIK

IRK: Inspiration Sources: What inspires your visual storytelling? For instance, are there particular places, people, or art forms that influence your work?

Niemala: This is a hard question to answer. Because I think everyone creative hoards everything they see and experience. Surprising things leak from your memory to become an influence at surprising times. While Flamenco influenced this shoot, recently I did a shoot inspired by a beautifully weathered wall in a handball court. A few years back I did one inspired by a Hitchcock movie. I love feeling like any random thing I’ve experienced can one day bubble up in my subconscious and move me to create.

IRK: Technical Craftsmanship: Your use of light and texture is striking. Can you share some insights into the Heidi Niemala technical process for creating these effects?

Niemala: My technical process begins and ends with this rule: Find good collaborators! I am not ashamed to admit that I don’t dig deep into the technical aspects of lighting. Instead I work with people who understand what I’m going for, agree with it, and can execute it. The more you can leave those details to someone you trust, the more you can focus on capturing the image.

IRK:挑战与突破。您参与过的最具挑战性的项目之一。它如何影响您作为艺术家的观点?

Niemala: I obtained permission from the government to do a shoot in White Sands, New Mexico. Using 16-foot diameter helium balloons even though we were in sensitive airspace between three military airfields. The one rule they imposed was not to let the balloons go. It was a week-long shoot and very expensive. Unfortunately on the very first day one of my assistants let a balloon go. We were surrounded by black SUVs so quickly, it was like they emerged from tunnels under the sand! The federal agents were extremely angry, but I was able to talk them down and save the shoot. That taught me to anticipate the worst and to think fast when it happens! But in the end, we captured some of the most iconic shots of my career.

衬衫和斗篷:FLYING SOLO的DAVID'S ROAD@davidsroadus_shop @flyingsolo_pr上衣: PETIT POIS @petitpoistudio ROM FLYING SOLO @flyingsolo_pr 鞋子:BRIAN ATWOOD @brian_atwood
衬衫和斗篷 – 来自FLYING SOLO的DAVID’S ROAD@davidsroadus_shop@flyingsolo_pr。上衣 – PETIT POIS @petitpoistudio rom FLYING SOLO @flyingsolo_pr 鞋履: BRIAN ATWOOD @brian_atwood

IRK:技术的作用。随着摄影和 AI 的进步,您如何看待技术如何影响您所在领域的未来。您是如何将其融入自己的实践中的?

Niemala: The history of photography is the history of technology. New developments are always exciting opportunities to be creative in different ways. However the one exception is generative AI, it is not a tool, it’s a plagiarism machine. That scraped the oeuvres of working artists in order to spit out low-quality facsimiles for parasites. Who don’t want to pay for creative work. There are endless stories of photographers and illustrators who find bastardized versions of their images online. It’s made worse when it’s accompanied by the prompt that names them specifically. There’s no question that generative AI is a pernicious influence on the arts. It should be rejected by anyone to whom art is important.

IRK: Advice for Emerging Photographers. What advice would you, Heidi Niemala, give to aspiring photographers who want to carve out a distinct voice in a competitive industry?

Niemala: Firstly the most important advice for any artist is to always retain your unique vision. Never dilute it to appeal to a broader audience. No one can be better at being you than you. Everything else follows from that! Also, always remember that photography is not just about capturing the image. It’s about working with other very talented people firstly and feeling rewarded by the act of creation.

裙子:DAVID'S ROAD @davidsroadus_shop 来自 FLYING SOLO @flyingsolo_pr 项圈:HARNESS LOVER @harness_lover 鞋款:MANOLO BLAHNIK @manoloblahnik
裙子:DAVID’S ROAD @davidsroadus_shop 来自 FLYING SOLO @flyingsolo_pr 项圈:HARNESS LOVER @harness_lover 鞋款:MANOLO BLAHNIK @manoloblahnik

IRK: Looking Ahead Heidi Niemala. What projects or themes are you most excited to explore in the future. How do you see your art evolving in the coming years for instance?

Niemala: Firstly something that’s exciting to me is that models who I loved and idolized growing up are getting back to working again. For instance, I recently did a shoot with Helena Christensen (who was amazing). I would love to arrange shoots with more supermodel icons like her. As for evolving my art. However what I really want to do is evolve my process for creating it. I want to be able to enjoy the experience more. Invest more trust in the process, and be less anxious about the final result. We’re all works in progress, always—our art only evolves when we do.

夹克:RICK OWENS @rickowensonline 裙子:FLYING SOLO 的 DAVID'S ROAD @davidsroadus_shop @flyingsolo_pr 领子:HARNESS LOVER @harness_lover 鞋:MANOLO BLAHNIK @manoloblahnik
夹克:RICK OWENS @rickowensonline 裙子:FLYING SOLO 的 DAVID’S ROAD @davidsroadus_shop @flyingsolo_pr 领子:HARNESS LOVER @harness_lover 鞋:MANOLO BLAHNIK @manoloblahnik

团队积分

  • 摄影师:HEIDI NIEMALA @heidiniemalaphoto
  • 造型师: MAKSIM MIZGIREV @lu3alo
  • 造型师助理: FET HILARIO @rufiopierce
  • 化妆师: VIKTORIA BOWERS @viktorijabowers
  • 发型师:ELOISE CHEUNG @hairbyeloise
  • 型号: SILVIA WANG @wangsweii
  • 经纪人: JOANNA GALLO at OFFICIAL MODELS NY @officialmodelsny
  • 第一助理: PIERRE BONNET @jpierrebonnet
  • 挖掘技术:OLIVIA WOHLERS @wohliviaa
  • PA:杰克·乌姆弗雷 @jackumphrey
  • 后期制作:THERESA @treehong COSMIC 代表

More editorials by the Photographer: HEIDI NIEMALA

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One day when I was barely two my mom let me push her out of her bedroom. She was curious so she ran outside the house so she could watch me through the window. I climbed up on a chair by her vanity and started putting on her makeup. I loved playing dress up as a kid. Putting on my mom's sequin tube tops and high heeled shoes and then putting on a dance show in the lobby or the restaurant of the hotel/residence we lived in. It was the best childhood ever. Dress-up, dancing, playing with barbies, and drawing were my favorite things to do. I have not changed one bit today. If I am creating I am happy.

Now I am in Paris for the second time in my life and I am having a ball playing with my partner in crime Julien Crouigneau. We founded IRK Magazine together in 2015 and we are proud to collaborate with some amazing artists, and influencers.

We are also a photography duo under the pseudonym French Cowboy. We love to tell stories and create poetic images that are impactful.

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