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Topics cover Art, Photography, Fashion, Design, Travel and Culture.\",\"email\":\"info@irkmagazine.com\",\"publishingPrinciples\":\"https:\\\/\\\/www.irkmagazine.com\\\/submissions\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.irkmagazine.com\\\/zh-hans\\\/#\\\/schema\\\/person\\\/cb4f8043b83994c3e6fa3cee940a6287\",\"name\":\"Thomas Werner\",\"description\":\"Thomas is the author of the books The Business of Fine Art Photography, Routledge, New York, and The Fashion Image for Bloomsbury Publishing, London, with an upcoming book co-authored with Microsoft BING and AI team leader Derrick Connell due out in early 2026. He is also an Editor at Large for IRKmagazine, Board Member for the Santa Fe Council CENTER for Photographic Art, and past Photography Program Director at Parsons School of Design in New York. He is the former owner of Thomas Werner Gallery in Manhattan\u2019s Chelsea Art District, and a former National Board member and New York Chapter President for the American Society of Media Photographers. As well as a former Advisory Board Member for Ithaca College\u2019s Executive Education Program, contributor to Adobe\u2019s Lightroom Academy, and a photography consultant for COACH, among others. Werner led a team developing a media and literacy website for the United Nations Alliance of Civilizations\\\/UNESCO and was a recurring instructor for the United Nations Education First Summer School. From 2005 \u2013 2019 he worked with the United States Department of State on cultural projects in Russia partnering with 32 cultural, educational, and governmental organizations to develop projects in 29 cities. As an exhibiting artist Thomas was represented by galleries in New York and Los Angeles, and his work reviewed in The New Yorker Magazine. Currently a creative consultant, Thomas works one on one with students, creatives, businesses, cultural institutions, and not for profits, helping them with career development, team management, innovation, education, professional practices, and the development of effective communication across multiple media platforms. For fourteen years his research was Russia centric spending an average of 30 days a year in the country. The focus was the introduction of contemporary education methodologies, and the development of creative cultures within the country. Russian partners have included; The State Hermitage Museum, the National Center of Contemporary Art, Perm Regional Government, The Moscow Biennale for Young Art, National Centre of Photography for the Russian Federation, The Central State Archive of Film, Photographic and Phonographic Documents, The Moscow Biennale, The Pro Arte Foundation, and others. 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