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MASU FW 2026: SUGAR RIOT

Mia Macfarlane

Masu’s 2026 FALL WINTER COLLECTION “Sugar Riot” ignites fashion with softness and subversion. MASU reclaims the act of dressing, challenging a system where clothes often serve hierarchy more than personal freedom. This collection, both quiet and radical, invites us to wear our rebellion.

portrait MASU
portrait MASU

MASU and Freedom

Fashion wasn’t always rigid. Once, clothes belonged to everyone. Denim symbolized work. Argyle evoked leisure. Velvet stood for refinement. Over time, however, garments became cultural shorthand for status and control. These meanings hardened into silent rules, reducing freedom to formula.

Instead of obeying those codes, MASU questions them. What if a round edge is actually sharp? What if familiar garments speak new truths when seen from the other side? Through this lens, the 2026 FALL WINTER COLLECTION “Sugar Riot” offers fresh interpretations of old ideas.

MASU handbag

Disrupting Codes Through Design

This season, MASU transforms heritage silhouettes with precise defiance. For example, an argyle sweater appears incomplete, its missing hem making absence the point. Similarly, velvet, often associated with high society, loses its polish and takes on a softened gleam. These aren’t subtle edits. They are declarations.

For instance, a formal floral suit becomes a spiky zip-up blouson. Elsewhere, a basic tracksuit erupts with a cascade of buttons. By embracing contradiction, MASU breaks away from the binary of formal and casual, elite and everyday.

Rewriting the Language of Texture

Not only do the silhouettes shift, but so does the sensory language of the garments. A herringbone tweed jacket features clover-shaped buttons in five soft tones. Cropped skinny denim includes stitched preppy symbols, stripped of their original authority.

In addition, the palette leans into memory. Faded hues, visible wear, and patchwork details speak of stories already lived. The result is clothing that feels human, not algorithmic. Denim blues blend with preppy yellows. Velvet arrives in moody tones, rich with ambiguity. Even puff quilting and gingham find new relevance, grounded in emotion.

Accessories That Whisper, Not Shout

Accessories in this collection extend the conversation. Previously, what symbolized conflict, such as a sword chain, now functions as a quiet talisman. Moreover, leather is no longer rigid. Instead, it softens and folds around small beloved objects, like a comic book or a memento.

Furthermore, MASU introduces refined shapes with purpose. The truffle bag continues the spirit of the cake bag, offering indulgence without ego. Meanwhile, a sleek whip bag adds a sculptural edge, favoring simplicity over spectacle. These objects do not just accessorize. They carry meaning.

masu accessory

Building A Community, Not a Brand

On December 28 in Tokyo, MASU gathered one thousand MASU BOYS for the debut of the 2026 FALL WINTER COLLECTION “Sugar Riot.” This was not just a runway. It was a space for dialogue, connection, and shared perspective.

The designer stood with the audience. In doing so, they rejected hierarchy. This event reflected the core of MASU’s vision: that fashion is lived experience, not top-down direction. People who notice quiet shifts and question what’s defined are MASU’s true collaborators.

Dressing for a New World

The 2026 FALL WINTER COLLECTION “Sugar Riot” does not chase trends. It makes room for feeling. These clothes do not conform to categories. Instead, they suggest new ways of being.

By honoring imperfection, emotional residue, and symbolic transformation, MASU gives us a roadmap toward creative resistance. Even in silence, the collection speaks loudly. Even in a dark world, something still sparkles.

Say yes to the boy, say yes to softness and say yes to what comes next!


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One day when I was barely two my mom let me push her out of her bedroom. She was curious so she ran outside the house so she could watch me through the window. I climbed up on a chair by her vanity and started putting on her makeup. I loved playing dress up as a kid. Putting on my mom's sequin tube tops and high heeled shoes and then putting on a dance show in the lobby or the restaurant of the hotel/residence we lived in. It was the best childhood ever. Dress-up, dancing, playing with barbies, and drawing were my favorite things to do. I have not changed one bit today. If I am creating I am happy.

Now I am in Paris for the second time in my life and I am having a ball playing with my partner in crime Julien Crouigneau. We founded IRK Magazine together in 2015 and we are proud to collaborate with some amazing artists, and influencers.

We are also a photography duo under the pseudonym French Cowboy. We love to tell stories and create poetic images that are impactful.

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