Design

INCARNEM: JEWELS WE EMBODY

Incarnem: Jewels We Embody. For Marine Billet, jewelry isn’t a surface thing. Instead, it’s a skin thing, a soul thing. With Incarnem, from in carne, “in the flesh”, the Paris-based artist creates more than objects:…

WARHOL/CUTRONE POST-POP GLORY

WARHOL/CUTRONE UNMASKS POST-POP GLORY. Two icons, one Factory: Warhol and his right-hand man Cutrone were the perceived masters of Manhattan in the 1970s and 1980s. A cultural collision reimagined for our era. Andy Warhol didn’t…

WhiteWall

FOTOHAUS ARLES 2025: WITNESS, MEMORY, & WARNING

This summer, the Fondation Manuel Rivera-Ortiz in Arles becomes the stage for FOTOHAUS ARLES 2025. This exhibition does more than showcase beautiful prints—it dares to confront the precarious state of our planet. It also challenges…

VERREGLASS MAKES ANTIQUE GLASS MODERN

Verreglass makes antique glass modern. For centuries, glass has shaped civilizations. Over time, it became both utility and ornament. Once forgotten, antique glass now glows with new meaning in a Parisian cabinet of curiosities. Verreglass…

ROOTS HOLD WHAT HISTORY LEFT BEHIND

ROOTS HOLD WHAT HISTORY LEFT BEHIND. It has always been a charged word. In the 1970s, it echoed in resistance chants and reclaimed identities. Today, in Arles, it returns with new force. Presented by Cultish…

Hanneke Beaumont portrait in her studio

Hanneke Beaumont

Hanneke Beaumont talks to IRK Magazine Lee Sharrock in conversation with Hanneke Beaumont about her retrospective exhibition at Bowman Sculpture in London. The exhibition titled Sculpting the Universal Self celebrates thirty years of the gallery’s collaboration…

Nhu Xuan Hua, Madison at the wedding 2 (c) Nhu Xuan Hua, courtesy galerie Anne-Laure Buffard

NHU XUAN HUA REINS AT HÔTEL DE LA LAUZIÈRE, ARLES

Nhu Xuan Hua commands center stage at Rencontres d’Arles 2025 with a haunting new exhibition. This exhibition remixes memory, diaspora, and visual mythology. Titled “Let the Horses Ride”, this solo show transforms the historic Hôtel…

Wide view of Ernesto Neto’s Nosso Barco Tambor Terra, showing the full expanse of the woven canopy suspended inside the Grand Palais.

ERNESTO NETO REIMAGINES SPACE

Ernesto Neto reimagines space. As a result, the Grand Palais becomes a sanctuary. Ernesto Neto’s woven architecture invites the body, the earth, and the beat to reunite. Back in 2005, he filled the Panthéon in…

Fernand Léger Les Quatre cyclistes 1943-1948 Huile sur toile 130,2 x 162,2 cm Musée national Fernand Léger, Biot © GrandPalaisRmn / Gérard Blot © Adagp, Paris, 2025

TOUS LÉGER REINVENTS MODERNISM

Tous Léger reinvents modernism, not with reverence, but with riot. In the early 1920s, Fernand Léger coined the term “new realism” to rethink how art meets reality. Consequently, today, that legacy transforms again. Through explosive…