ZIGGY CHEN’S FALL/WINTER 26-27: DISSPARATION
Kendra Dresser
At Paris Men’s Fashion Week, Ziggy Chen’s Fall/Winter 26–27 collection, “DISSPARATION,” reshapes menswear through layered textures, slow craft, and a quiet dialogue between East and West.
Ziggy Chen’s Fall/Winter 26–27 collection, titled “DISSPARATION,” arrives quietly, yet leaves a lasting impression. Rather than relying on spectacle, it unfolds through subtle shifts and careful restraint. As a result, garments appear to move between states, fragmenting and recombining over time.
At first glance, Ziggy Chen’s Fall/Winter vision feels rooted in memory and history. However, it never slips into nostalgia. Instead, each reference is reworked with fresh intent. In this way, “DISSPARATION” becomes less about revisiting the past and more about exploring how time reshapes form.
For example, a deep grey-blue bouclé coat layered over uneven tailoring moved slowly down the runway. At the same time, its exposed lining revealed the hand of the maker. Because of this, the piece spoke softly of craft, patience, and imperfection, central to Chen’s slow fashion philosophy.
CRAFT, TEXTURE, AND INTENT
Throughout the collection, natural fibres take the lead. Wool, silk, cashmere, linen, and hemp appear repeatedly. Moreover, their textures remain raw and honest. Irregular yarns and bouclé surfaces preserve visible traces of how each piece was made.
Layering, although complex, never feels heavy. Instead, it builds depth gradually, allowing garments to move with the body. Consequently, each look feels lived-in rather than imposed.
Accessories follow the same approach. Stacked boots, soft cashmere scarves, and restrained metal details extend the collection’s calm tone. Every element is measured, intentional, and wearable. Rather than dictating meaning, Chen invites personal interpretation.
EASTERN AND WESTERN DESIGN
At the core of “DISSPARATION” lies Chen’s ongoing dialogue between Eastern and Western design. Traditional Chinese forms guide proportion and flow, while European tailoring provides structure and balance. Together, they create silhouettes that feel both fluid and grounded.
Historical references, from imperial dress to workwear, appear throughout. Yet, they are softened and adapted for contemporary life. Volume and asymmetry coexist with ease, encouraging movement and individuality.
MEN’S FASHION WEEK
Presented at the Église Protestante during Paris Men’s Fashion Week, the show unfolded in an atmosphere of quiet focus. Lighting highlighted soft greys, earthy browns, and muted yellow tones. Meanwhile, Alessandro Tinelli’s music and visuals reinforced the restrained mood.
Key moments included layered linen trousers paired with a soft grey coat lined in warm brown silk. With each step, the fabric shifted in tone. Braided leather details and stacked boots created rhythm and continuity.
“DISSPARATION”
Ultimately, “DISSPARATION” reflects Ziggy Chen’s commitment to slow, thoughtful design. Every stitch is shaped by time and reflection. In a culture driven by speed, Ziggy Chen’s Fall/Winter 26–27 collection offers a quieter, more lasting vision of menswear.
CREDITS
- Styling: Noey Park
- Casting: Lucien Casting
- Hair & Make-Up: Emiliano Riccardi + Mai Sato
- Music, Video & Photography: Alessandro Tinelli
- PR: Federica Tattoli + Ritual Projects
- Art Direction: Ziggy Chen
- Camera: Tomas Smith
- Production: Studio Luma
Explore more of Ziggy Chen’s brand and design ethos on the official website.
Finally, continue reading below for more menswear and fashion week stories, or visit the IRK Magazine homepage for further coverage across fashion, beauty, and design.
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Kendra Dresser is in Communications and Public Relations with a focus on how fashion, media, and culture shape the way we see the world and ourselves.
She’s interested in the connection between image and meaning: how a campaign, an outfit, or a trend can say something deeper about identity, mood, and the cultural moment.
She’s especially drawn to how Generation Z uses fashion and beauty to express individuality, often in bold, layered, and playful ways. She’s also curious about how social media continues to reshape storytelling, changing how we create, share, and connect through visual culture.
To Kendra, fashion is more than just style; it’s a language! One that reflects who we are, how we feel, and what we stand for. She’s committed to sustainability and believes fashion and culture should not only inspire but also respect the planet.
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