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Habit 01 Chest Bag – Sarah Levy

Emmilea Stoliker

In an era where accessories oscillate between utility and expression, the Habit 01 Chest Bag by Sarah Levy occupies a deliberate space in between. In this space, garment becomes object, and object becomes an extension of the body. The bag is neither purely a bag nor entirely a piece of clothing. Instead, it challenges conventional categorization through its sculptural, almost anatomical design.

A Sculptural Extension of the Body: Habit 01

Constructed from soft leather, the piece is described as a corset-like form, molded to sit directly against the chest. This design choice is not incidental; it reframes how an accessory interacts with the wearer. Rather than hanging passively, the chest bag physically integrates itself into the silhouette. As a result, it creates a structured yet intimate relationship between body and object. Remarkably, Habit 01 offers a sculptural accessory experience that is unlike any other. The inclusion of a pocket within the molded form introduces a subtle tension between sensuality and practicality. This means storage is embedded within structure.

Habit 01 - Sarah Levy
Model : Britt Liberg Photographer : Hanna Pallot Stylist : Benoit Bethume 

Wearability and Adjustability

Adjustability plays a central role in its wearability. With adaptable shoulder straps and a customizable chest fit, the piece accommodates the body while maintaining its architectural integrity. Gold hardware punctuates the otherwise minimal composition, offering a refined contrast. This elevates the garment beyond utilitarian function into the realm of luxury. Notably, the Habit 01 design ensures the bag can suit a wide range of body types.

What sets the Chest Bag apart is its idea behind the design. It takes inspiration from corsets, which were once linked to tight shaping and restriction, but reimagines them with freedom of movement and independence. Here, the corset is not about holding the body in, but about holding things—personal items, identity, and presence. In this way, Habit 01 becomes both protection and decoration.

Modularity Within the Habit Series

Within the broader Habit series, the piece aligns with a design philosophy rooted in modularity and transformation. Each item in the collection blurs the boundary between clothing and accessories. Thus, it suggests a wardrobe where function is redistributed across the body. The chest bag, in this context, is not an isolated object but part of a larger system of wearable storage and structured design. Evidently, Habit 01 links fashion and modular function in a unique way.

There is also a natural closeness in where it sits. Worn across the chest, the bag covers an area usually linked to vulnerability. This placement makes it feel protective, almost like a second skin, while also drawing attention to the center of the body. It encourages us to rethink how we carry not only our belongings, but also ourselves.

Sarah Levy - Habit 01
Model : Britt Liberg Photographer : Hanna Pallot Stylist : Benoit Bethume 

Ultimately, the Habit 01 Chest Bag shifts from carrying to inhabiting, actively redefining the relationship between fashion and function by intentionally erasing the line between the two.


Sarah Levy Website

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Emmilea Stoliker grew up in a tiny town in Delaware, where she developed her love of photography. Growing up, her eyes felt like camera lenses, always looking for the perfect composition for the perfect photograph. She would steal her mother’s phone to take a photo of any type of composition she thought was worth documenting. Later on, she moved to New York City to continue on with her passion for photography by studying at the Fashion Institute of Technology.

Being a New York City-based freelance photographer, she loves manipulating different art genres and subgenres, which includes: Portraiture, still life, street photography, collage works, etc, and making multiple genres work together creatively and collaboratively. Emmilea loves to think outside of the box when it comes to creativity behind the screen.

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