art

UTA TIGGESMEIER SCULPTING MYTH & METAMORPHOSIS

Uta Tiggesmeier’s hands move between worlds. “My work begins where language fails, in the space of gesture, memory, and matter.” A German sculptor and draftswoman working between Arles and London, her art calls back to…

JEAN DUBUFFET & OPERA GALLERY PARIS

Entrance to a Radical Artistic World Opera Gallery Paris is proud to present Jean Dubuffet, L’Hourloupe and Its Legacy (1962–1982), an exciting exhibition running from October 16 to November 12, 2025. This show marks the 40th…

AFTER PARTY: NIGHTCLUBS LOST IN DAYLIGHT

AFTER PARTY: NIGHTCLUBS LOST IN DAYLIGHT. A photographic journey into French nightclub facades by photographer François Prost. After Party opens with a twist: Cinderella is already home, barefoot, the spell broken. So what remains? The…

ENTRE TRÓPICOS: EXHIBITION OF DESIRE

ENTRE TRÓPICOS: EXHIBITION OF DESIRE. A lush dive into Brazilian sensuality through art. Two artists, two visions, one tropical pulse. Entre Trópicos opens on centuries of fascination. Ever since colonial times, the tropics have stirred…

« Bad Boy » Berlin, 1967. Descriptif technique : Tirage argentique d’époque, tampon de la succession Herbert Tobias au dos. Dimension image : 34,5 x 34,5 cm
Dimension feuille : 50 x 40 cm Copyright Herbert TOBIAS
Courtesy Jérôme Prochiantz

JÉRÔME PROCHIANTZ AT MODERNE ART FAIR 2025

Jérôme Prochiantz will showcase an extraordinary selection of sixty photographic prints from his private collection at the Moderne Art Fair 2025, held in Paris from October 23 to 26. This unique exhibition, set in the…

WARHOL/CUTRONE POST-POP GLORY

WARHOL/CUTRONE UNMASKS POST-POP GLORY. Two icons, one Factory: Warhol and his right-hand man Cutrone were the perceived masters of Manhattan in the 1970s and 1980s. A cultural collision reimagined for our era. Andy Warhol didn’t…

WhiteWall

FOTOHAUS ARLES 2025: WITNESS, MEMORY, & WARNING

This summer, the Fondation Manuel Rivera-Ortiz in Arles becomes the stage for FOTOHAUS ARLES 2025. This exhibition does more than showcase beautiful prints—it dares to confront the precarious state of our planet. It also challenges…

ROOTS HOLD WHAT HISTORY LEFT BEHIND

ROOTS HOLD WHAT HISTORY LEFT BEHIND. It has always been a charged word. In the 1970s, it echoed in resistance chants and reclaimed identities. Today, in Arles, it returns with new force. Presented by Cultish…

Hanneke Beaumont portrait in her studio

HANNEKE BEAUMONT

Hanneke Beaumont talks to IRK Magazine Lee Sharrock in conversation with Hanneke Beaumont about her retrospective exhibition at Bowman Sculpture in London. The exhibition titled Sculpting the Universal Self celebrates thirty years of the gallery’s collaboration…