C’est Jeanne Bespoke Gloves
C’est Jeanne: Bespoke Glovemaking, an intimate exploration of artistry and craftsmanship. In this exclusive interview, we delve into the world of Jeanne Hermans, the creative mind behind C’est Jeanne. She shares insights into her unique design process, discusses her commitment to sustainability, and the evolving identity of her brand.
From Concept to Stitch
IRK: To start C’est Jeanne Bespoke Glovemaking interview, you trained at the Master Tailor Institute and worked in various ateliers. What drew you specifically to the art of glove-making?
Jeanne: I love the technical aspect of creating garments, and gloves seemed mysterious to me. There is plenty of information on how to sew clothing, but you need to search hard for information on glovemaking. I love a technical challenge, and gloves seemed like a perfect one to me. Glovemaking offers limited space for creative freedom.
IRK: Gloves are often seen as accessories, yet your pieces stand as statements. How do you approach designing gloves that transcend their traditional role?
Jeanne: When I start designing, I forget that gloves are just accessories. While gloves can act as a finishing touch, I view them differently. To me, a glove can be a statement. This is especially true when I design more outspoken pieces, like my Junon gloves. For those types of gloves, the idea that they’re accessories simply doesn’t exist in my mind. Instead, I think of them as wearable art, pieces that spark curiosity.
IRK: Each glove is handcrafted in your studio. Can you walk us through your creative process, from concept to final stitch?
Jeanne: My work is often a variation of an existing design. New designs often feature unexplored techniques. I have loved the look of silk ribbon embroidery for a long time. I figured out a way to make the fragile embroidery applicable to gloves. I don’t sketch anything, designs form in my mind. I make a sample piece of a new technique. If it works, I then create a full pair of gloves. New materials need a few pairs to get the fit right. Each material has different stretch. Gloves must feel comfortable on hands, they also need to look elegant. Each glove is custom made to measure. So, for every pair I create custom patterns, and cut, sew and embroidered them by hand.
Beyond Utility: Gloves as Canvas
IRK: Your collections range from bridal to zodiac-themed gloves. Where do you find inspiration for such diverse designs?
Jeanne : My inspiration almost always stems from a specific technique I’d like to try. The 50’s couture fashion or Art Nouveau aesthetics inspire me greatly, but the true inspiration roots in the technical aspect. The design process usually takes this form: I see an inspiring technique. Then, I think how to incorporate it. I do not limit myself to one aesthetic. Instead, I use new techniques through inspiring aesthetics.
IRK: You’ve collaborated with artists like Oana Savu. How do collaborations influence your design perspective?
Jeanne: Oana Savu was one of my first creative collaborations. Until that point, I remained quite closed off when it came to working together because I am quite introverted. Working with her showed me what beautiful things we can create when we team up. The collection of butterfly gloves I created with her turned out to be one of my favorite collections. Partnerships push my work into new directions I might not have reached on my own.
IRK: Some of your gloves feature intricate embroidery and unique materials. How do you balance functionality with artistic expression?
Jeanne: I often think about how I balance functionality with artistic expression, no matter how decorative or detailed a design is. It needs to fit well and feel good to wear. I have a very technical background, so I always prioritize construction. But I also love using gloves as a canvas for creative ideas. When I add embroidery or unusual materials, I try to ensure they complement the glove’s shape and purpose. It’s all about finding that middle ground where the glove feels both wearable and special.
Crafted with Time, Tailored by Hand
IRK: C’est Jeanne operates on a made-to-order basis, emphasizing slow fashion. What does this philosophy mean to you?
Jeanne: I trained at the Master Tailor Institute in Amsterdam. Therefore, I want perfect fit and quality in all I make. A made-to-order basis allows me to tailor every design. This ensures a seamless and custom fit for the wearer. I also dislike garments made in poor conditions. Instead, I monitor every step. I ensure I make every item with love.
IRK: In a world of mass production, how do you maintain the exclusivity and personal touch of your brand?
Jeanne: I think my choice not to mass produce anything, and instead to have a longer waiting time to create gloves, has helped maintain a personal and tailored experience. Often, when I create gloves for a customer, I keep them updated on how the gloves are coming along. This not only makes for a more personalized experience, but also emphasizes the custom nature of what they buy. Connecting with my customers is such a wonderful part of the process, as it also means I get to witness their joy of having a custom-made item.
IRK: Your designs have been worn by notable figures and featured in various publications.
Jeanne: While I will always aim to keep C’est Jeanne as personal as possible, I think I have further established my brand’s professionalism and legitimacy over the past year. A few months ago, I quit my day job to run C’est Jeanne full time, after which I spent a lot of time working on C’est Jeanne as a brand. In the future, I hope to stay true to what C’est Jeanne started as: a one-woman business rooted in a love for the technical, while also growing more and more confident.
Hand in Hand with the Future
IRK: Are there any new directions or collections you’re exploring for the future of C’est Jeanne?
Jeanne: Yes! I have been working hard on my new bridal collection, and I plan to launch it as a separate branch: C’est Jeanne Bridal launches on July 17th, 2025. Besides venturing into the bridal world, I am also keen to start more creative collaborations and spend more time working on even more intricate designs.
IRK: For those new to luxury gloves, what advice would you give when selecting their first pair?
Jeanne: Pick a pair that makes your heart beat faster, the gloves that would make you the happiest and most confident. I don’t mean my gloves to be accessories that you wear day in, day out, but rather items make you look forward to wearing them.
Where to Find C’est Jeanne
IRK: Where can enthusiasts view or purchase your gloves, and do you offer fittings or consultations for bespoke pieces?
Jeanne: I sell my gloves on cestjeanne.com, and I create custom designs. If you want a custom-made pair, you can reach me via atelier@cestjeanne.com. For a fitting or want to view my gloves, my studio is in Zaandam, the Netherlands. You can absolutely make an appointment to come by. Alternatively, for glove enthusiasts who want to learn more about glovemaking, I also host course weekends in my studio where I teach the art of glovemaking.
In C’est Jeanne Bespoke Glovemaking, Jeanne Hermans’ takes you along her journey from a technical challenge to a full-time, evolving brand exemplifies a deep commitment to craftsmanship, creativity, and conscious fashion
Did you enjoy “C’est Jeanne: Bespoke Glovemaking”? Learn more about fashion with the magic behind French costume at La Compagnie du Costume.
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Marie Loire Moulin approaches fashion as an immersive language—one that expresses identity, character, and cultural influence. Echoing Jean Cocteau’s observation that “Fashion is what goes out of fashion,” Moulin embraces the paradox at the heart of her craft. For her, fashion is a living, breathing art form—constantly deconstructed, reimagined, and reshaped in response to the world around it.
What fuels Marie Loire’s creativity is the ability to blend worlds—to explore the intersections of fashion, technology, history, and art. She is inspired by how these disciplines collide to generate experiences that are not only visually compelling, but also deeply purposeful.
Moulin is particularly drawn to artistic expressions that serve as bridges—linking cultures, fusing tradition with innovation. Sustainability, for her, is not a buzzword but a foundation. She sees it as a long-term commitment to thoughtful creation, not a passing aesthetic.
As a stylist working with actors on film sets, Marie Loire thrives on transforming a director’s vision into living, breathing characters. Through wardrobe and silhouette, she builds atmospheres that tell stories—stories of emotion, intention, and presence.
Her creative drive extends into virtual reality and immersive art, where she explores how emerging technologies can shift perception and spark connection across cultural boundaries. For Moulin, the digital realm is just another canvas—one that, when used with care, has the potential to resonate as powerfully as the physical world.
Whether on set or in virtual space, Marie Loire seeks originality and depth. Her work is marked by richly layered references, a reverence for detail, and a belief that fashion—at its best—can speak not just to the eye, but to the mind.
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