JORDANE SOMVILLE: JEWELS AS RELICS
JORDANE SOMVILLE: JEWELS AS RELICS. Between ornament and relic, each piece speaks. Jordane Somville doesn’t fit in a box. She sculpts, she glazes, she fuses, and she listens. Meanwhile, in an era where design trends spin fast and flat, Somville turns to ritual. Her studio becomes a playground for the hand, the impulse, and the tactile trace. Furthermore, she draws on surrealism, art brut, and a decade in fashion. As a result, her practice dances between adornment and archaeology. Her work isn’t drawn. Instead, it’s summoned. Therefore, it is shaped by gesture, anchored in intuition.
JORDANE SOMVILLE: EXPLORING A PULSION-DRIVEN PRACTICE
Matter leads, thought follows. “I’m a ceramic artisan,” she begins, “specialized in jewelry and artistic objects.” She works metal and porcelain. In fact, her process rejects the sketch. Instead, the act of making comes first. “The gesture becomes the impulse,” she says. “That’s what shapes the work.” This is creation without premeditation. Moreover, it’s a conscious return to the essential, to feeling before form.
In her studio, Jordane Somville lets gesture guide the form, each piece begins with touch. © Jordane Somville Studio
JORDANE SOMVILLE: WHY EARTH, WHY TEXTURE, WHY NOW
Spontaneity and texture over perfection. Somville speaks of clay like a co-conspirator. “It lets me explore freely. It’s smooth, or it’s textured. It adapts.” Above all, it allows her to listen, to nature, to the surface of things, to instinct. “I come back to the surrealists, the dadaists,” she adds. Accordingly, her focus is not on the perfect line, but on the vivid trace. Ultimately, it’s about reconnecting with the raw act of expression.
Wearable sculptures with surreal gestures, Somville’s pieces move between ritual and irony. © Jordane Somville Studio
RITUALS, TRACES, TRANSFORMATION
Each piece begins with a walk. Somville collects surface memories. A wall, a bark, a floor tile. “I archive these traces using gum paste or paper and pencil,” she explains. Later, at the studio, those impressions resurface, reborn in porcelain or metal. Consequently, no two pieces are alike. Each one recalls a walk, a trip, a gesture. Sometimes, they feel sculptural. Other times, intimate. Always, they carry something personal.
JORDANE SOMVILLE: BETWEEN OBJECT, ORNAMENT, AND MEMORY
Wearable sculptures, or sculptural jewels? “Both,” she answers. “They can be worn. Or displayed on a wall, or on a stand.” Without a body, the object becomes its own scene. Therefore, Somville’s jewelry doesn’t just decorate. Rather, it performs. It archives. It lives. Indeed, it challenges how we see adornment, not as accessory, but as presence.
From the hand to the display, Somville’s creations therefore blur the line between jewelry and object. Indeed, they challenge what we wear and why. © Jordane Somville Studio
JORDANE SOMVILLE: WHERE TO FIND HER WORK
You can discover Somville’s creations at her atelier-boutique at 60 rue Hermel, Paris 18th. Additionally, her pieces are available at Empreintes in Paris 3rd, and at Maison Makeba in Toulouse. Moreover, her latest collections explore themes from botany (Haute Bouture, Poésie d’Écume) to the origins of craft (Ruée vers l’Or, Lien).
HER HANDS SPEAK LOUDER THAN WORDS
Jordane Somville’s world doesn’t shout. Instead, it whispers, it listens, it touches. Her porcelain holds memories. Her gestures trace invisible maps. She doesn’t design jewelry. Rather, she carves emotion into form. In contrast to a world flooded with noise, Somville reminds us that sometimes, meaning rises from matter. Ultimately, it emerges quietly. Boldly. One imprint at a time.
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Marie Loire Moulin approaches fashion as an immersive language—one that expresses identity, character, and cultural influence. Echoing Jean Cocteau’s observation that “Fashion is what goes out of fashion,” Moulin embraces the paradox at the heart of her craft. For her, fashion is a living, breathing art form—constantly deconstructed, reimagined, and reshaped in response to the world around it.
What fuels Marie Loire’s creativity is the ability to blend worlds—to explore the intersections of fashion, technology, history, and art. She is inspired by how these disciplines collide to generate experiences that are not only visually compelling, but also deeply purposeful.
Moulin is particularly drawn to artistic expressions that serve as bridges—linking cultures, fusing tradition with innovation. Sustainability, for her, is not a buzzword but a foundation. She sees it as a long-term commitment to thoughtful creation, not a passing aesthetic.
As a stylist working with actors on film sets, Marie Loire thrives on transforming a director’s vision into living, breathing characters. Through wardrobe and silhouette, she builds atmospheres that tell stories—stories of emotion, intention, and presence.
Her creative drive extends into virtual reality and immersive art, where she explores how emerging technologies can shift perception and spark connection across cultural boundaries. For Moulin, the digital realm is just another canvas—one that, when used with care, has the potential to resonate as powerfully as the physical world.
Whether on set or in virtual space, Marie Loire seeks originality and depth. Her work is marked by richly layered references, a reverence for detail, and a belief that fashion—at its best—can speak not just to the eye, but to the mind.
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