PETER HERMANSSON GLASS MAGIC
PETER HERMANSSON GLASS MAGIC. Glass as narrative, psyche, and radical storytelling. Peter Hermansson (link here) glass stories unfold inside a century-old craft. Firstly, Swedish masters invented the Graal and Ariel techniques in the early 1900s. However, Hermansson pushes those traditions into bold narratives of psyche, dreams, and myth. Therefore, his work insists on opinion. In addition, it challenges the viewer to react. Finally, nothing slips by unnoticed.
Storytelling in glass
He strikes with symbols from the subconscious, layered in color and heat. Moreover, he admits, “I´m a storyteller. I tell stories through my illustrations and through the techniques that I use. Indeed, I want to tell stories that are very much in your face. Consequently, you have to have an opinion about it.”
Music and glass
His past life was rhythm. At first, “Between the age 20-30 I was a touring musician… I ended up moving 1000km to the southern part of Sweden to the ‘Kingdom of Crystal’, to learn the craft of glass.” Afterwards, he recalls his first encounter with glass in sensory detail. “The history stuck in the walls, the smell of propan gas, The heat from the owens and the icecold Swedish winter outside.” Furthermore, for him, glassblowing echoed music. “The timing, the playing together in the band, the tonality, the groove, the swing and the beat.” As a result, the transition from music to glass felt natural. Finally, both practices demanded timing, rhythm, and deep collaboration.
Process of glass
Hermansson often builds in series. First, he begins with sketching and “automatic drawing,” revealing patterns from the subconscious. Then, once a theme crystallizes, he moves to the Graal technique, a “three-step rocket.” Step one: blow the blank. Next, step two: sandblast the drawings. Finally, step three: reheat and blow the final form. He admits, “Instead of adding color with a spraycan, I can take away color with the sandblaster.” Nevertheless, this graffiti past fuels his glass language. Yet, precision rules. “There is no room for mistakes in this process. The slightest little mistake can ruin the piece.”
Inspiration for glass
He remembers his cousin’s grandmother, an artist, urging him to “Trust your foot.” Since then, this advice shaped his practice. Each sketch, each layer, becomes testimony. “Themes and images comes from the inner landscape.” Moreover, they also arise from scripture and film. “For outside inspiration I can read the bible or look at a Tarkovsky movie.”
Glass works by Peter Hermansson, exploring psyche, myth, and bold storytelling. Courtesy of Peter Hermansson
Philosophy of glass
Hermansson names Under the Pink Moon, created for his Alter Ego show in Florida. In particular, he expands on its essence. “The hand represent will and meaning. Thus, to create is to take responsibility for your life. Ultimately, for me its philosophical. Existential.”
Exhibitions in glass
His work travels. Currently, it lights up Blazing Graze at the Institut Suédois in Paris. He also shows with Method&Concept in Florida and Bonham Gallery in Sydney. Online, his site peterhermansson.com archives his glass odyssey. You can also find him on Instagram @hermansson_p (link here).
Meaning in glass
Hermansson’s glass is less vessel than vision. Each piece confronts you with psyche, symbol, and raw honesty. In a medium famed for fragility, he offers weight. His works are not just beautiful objects. They are declarations, demanding the viewer to choose a stance.
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